James MarinoFinance
The Book

Don’t Be A Starving Artist.

A clear, founder-written guide to budgeting, saving, taxes, and building wealth, written for the way creatives actually earn.

Available in paperback & KindleForeword-ready · Coaching-ready
Don't Be A Starving Artist by James Marino, book cover
Who it's for

If anyone has ever told you art and money don’t mix,
this is for you.

  • Dancers, performers, and touring artists
  • Designers, writers, and creative freelancers
  • Mixed W-2 and 1099 earners
  • Sole proprietors and one-person LLCs
  • Anyone with irregular, project-based income
  • Creatives ready to stop fearing tax season
What you'll learn

A money system that respects the creative life.

Seven chapters. Five hands-on action exercises. One through-line: confidence with money, on your terms.

  • Chapter

    What is a Budget?

    + Action

    Start at the foundation. What a budget actually is, what it isn't, and why most artists' relationship with the word is broken before they begin.

  • Chapter

    Time Preference

    + Action

    How present-you and future-you make decisions, and why understanding the gap between them is the most important money lesson nobody teaches creatives.

  • Chapter

    Debt Management

    + Action

    A clear-eyed look at what debt is doing to you, which kinds to attack first, and how to dismantle it without shame spiraling.

  • Chapter

    The Risk vs. Reward Meter

    A simple mental model for evaluating any financial decision (from gigs to investments) through the same honest lens.

  • Chapter

    Paradigm Shift

    The mindset rewire that separates artists who quietly build wealth from the ones who stay stuck. The chapter readers say changes everything.

  • Chapter

    Save With A Purpose

    + Action

    Generic saving doesn't stick. Goal-anchored saving does. How to build the buckets that actually pull you forward.

  • Chapter

    What's Investing?

    + Action

    Investing demystified, in plain creative language. The vehicles, the timelines, and how to start without needing a finance degree.

Five of the seven chapters include an Action exercise: a real-life objective you complete on your own finances.

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Why I wrote it

The book I needed when I was the artist trying to figure it out.

I watched brilliant performers, designers, and founders make great money and still feel broke. Not because they didn’t make money, but because no one ever taught them how to manage income that arrives in waves. This book is the field guide I wish I had: practical, judgment-free, and built for the life you actually live.

A note from James

“You don’t have to choose between art and stability. You just need a system that respects both.”

James Marino, founder
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